Marked at a very young age by the photographs of Henri Cartier-Bresson, Josef Koudelka or Eliott Erwitt, I sometimes dreamed of myself as a war photographer, but in reality, I don't remember wanting to do anything other than write and direct films. Convinced that creation is only possible if you know the world around you, I began by studying ethnology and spending three years in "exile" in Budapest, where my mastery of the Hungarian language gave me the chance to work on the set of The Turin Horse, the latest film by the great director Béla Tarr. His unusual working methods, his technical and artistic requirements and his visual universe close to photography remain for me a unique experience that has deeply marked me.I started my professional career with documentaries, directing about ten films on politics and history for television and cinema. However, I never abandoned my attraction for fiction, the creation of stories and images. In 2013, I wrote and directed my first short film, Ceteris Paribus, which was presented in several French and international festivals. In 2018, my second short film, Vénère, a Bollywood musical-comedy, won the special mention of the jury of the HLM sur cour(t) festival. I am currently preparing my third short film, Tatoués.Diversifying the means of expression, I have also turned to writing comic strips. Dealing with the Russian Revolution of 1917, Kamarades is my first series as a screenwriter.I am currently preparing new documentaries for television and cinema, and developing a feature-length fiction script on women's soccer.