After studying journalism in Tunisia and then film studies at the Academy of Arts University in San Francisco, Rama Mari worked as a 1st assistant, cinematographer and editor before directing several short films, including her latest, Izriqaq, which was selected in many festivals and won the Jury Prize at the Arab Short Film Festival in Beirut. At the same time, she teaches cinema at Dar Al Kalima University College of Arts and Culture and at the A.M. Qattan Foundation. She is preparing her first feature film, Geography of solitude.

A family sees the bonds of its members grow stronger as they go through difficult times.

Meryem Benm'Barek trained in cinema at INSAS in Brussels where she obtained her master's degree in directing. Alongside other professional experiences, Meryem Benm'Barek has directed three short films, L'After Shave (2011), Nor (2013) and Jennah (2014), selected and awarded in many festivals. She is developing her feature film project, Les plaies dorsales.

Malik, a 40-year-old man has always lived paralyzed by a strange fear of "disappearing." He meets Krystha, a mystical and disturbing young woman. Malik seems to be terrified of seeing the ghosts of the past resurface and refuses to confront them. But this is to misunderstand the obstinacy of Krystha who decides to cure him of his ills against his will by taking him on a breathless road movie to the heart of his deepest anxieties.

Journalist and novelist, Anis Djaad was born and raised in Algiers. He directed three short films, Le portlot, Passage à niveau and Le voyage de Keltoum, with which he participated in over a hundred international festivals. His first feature film, La vie d'après, is expected in late 2021. In addition to Land of Vengeance, he is currently developing other film projects

On a spring morning, a wild rumor runs through the village about Hadjer, a widow who lives with her son, Djamil, a blameless teenager. Thrown out to pasture, they are forced to leave. After a few days of wandering, they end up on the coast, at the home of a benefactor who runs a gargote. Their "exile" to this new world will not be easy. Between the son's drifts and the mother's concessions, the road to reconstruction seems endless. Is a return to the native village still possible? Decidedly, there is only one drama to erase another...

Graduated from ESRA in directing, he directed several video clips as well as short fiction films. In parallel to the writing of L'Oliveraie, he develops an interactive Web doc with Simba productions.

On a spring morning, a wild rumor runs through the village about Hadjer, a widow who lives with her son, Djamil, a blameless teenager. Thrown out to pasture, they are forced to leave. After a few days of wandering, they end up on the coast, at the home of a benefactor who runs a gargote. Their "exile" to this new world will not be easy. Between the son's drifts and the mother's concessions, the road to reconstruction seems endless. Is a return to the native village still possible? Decidedly, there is only one drama to erase another...

After a Master's degree in History at the University of Paris I, La Sorbonne on "Algerian Cinemas and Filmmakers from 1962 to 2003", then a DEA in History on "Cinemas and Filmmakers of Algerian Immigration from 1981 to 2004", Myriam Chetouane was a co-writer on several short projects or documentaries, then directed the short film Culture d'apparences widely selected and awarded in festivals. She is developing her first feature film project, Parloir fantôme.

The author does not wish to disclose the content of his project.

Graduated from La Fémis in 2012, Emma Benestan has held various positions in the audiovisual sector and worked as an editor on various films. She has directed several short films including Toucher l'horizon (La Fémis-2011) and Belle gueule (10/15 Productions-2014), which have won awards in numerous festivals. She is developing her first feature film project, Petite sauvage.

Fifteen-year-old Kenza leaves Algeria for France to live with her father Samy, whom she has never known. She thinks she will finally find this father, a former soccer player, whom she has idealized so much. It is finally the beginning of a new life. A new country. But is it really the promise of happiness

Myriam el Hajj was born in 1983 in Beirut. In the continuity of Truce, her first feature documentary, Myriam is now developing her second documentary Suspended(s) with Abbout Productions and Gogogo Films. She is also working on her first feature film, Commedia, produced by Abbout productions and Andolfi production. In addition to her cinematographic activities, Myriam is since 2015, artistic director at the Fondation Liban Cinéma, an association for the support of Lebanese cinema. She has been teaching cinema at the Lebanese Academy of Fine Arts since 2011.

The guns, the ballot box or the street. Georges, Joumana, Perla. Three destinies that cross, three generations and the same desire to change a sick country: Lebanon. Whilethe crises follow one another inexorably, they are confronted with a dilemma: to save the world or to save their skin?

After studying at the American University of Beirut, La Fémis, INSEAD and Jacques Lecoq's School of Physical Theatre, Elyssa Skaff has acquired a good experience in the development of audiovisual and film projects.

Dancers of The Spring tells the story of a meeting between two beings. In Beirut for a few months with two of his friends, Amir is a young Syrian refugee struggling to survive. Everything changes when he meets a young Lebanese woman, Anna. The young people encourage each other, and decide to prepare an audition together that could change their reality in the city. On another level, and in a totally unexpected way, this encounter will affect them in a much deeper way..

Graduated Civil Engineer from Gaziantep Polytechnic University, then civil engineer on large construction sites in Afghanistan and Iraq, Ahmet Necdet Cupur abandons his field of expertise to turn to cinema which he comes to study in Paris. He directed short films, among others: Alley Dancer, The boy and the bicycle (2014).

A boy becomes a man in a village in the Middle East. A place where growing up means blindly obeying hard and ancient rules. Lives will collide with each other having one common root: the father. Generation after generation of violence and honor killings will lead women and men to the point of unbearable. Will all this finally stop with Raken?

Jaad Gaillet is a French-Moroccan director who grew up in Paris. He combined his studies in mechanical engineering at the University Pierre et Marie Curie with studies in anthropology at the MNHN and the Cinéma du Réel in Paris. After his studies at Cinéma du Réel in Nanterre and Naples, he was selected for the Web documentary workshop at Gaîté Lyrique in Paris. Later, he obtained a Master's degree in Cinema at the Esav in Toulouse. Following his studies, he directed many short and long documentary films. He is currently working on a feature-length fiction project "Points noirs".

Leyla, a thirty-year-old Franco-Moroccan journalist travels to the High Atlas for a documentary project on wild boar hunters. The young journalist must then face the disappearance of all the wild boars shot, events of which she and her camera are the only witnesses.